Everything that exists has certain geometrical form, emanates light and vibrates with its own individual and specific rhytm. This includes every living being, every planet, every memory, thought, emotion, every drawn picture and all melodies of songs…everything inside and around us. In this sense, we can start perceiving every object as a particular code with its own program which determines the parameters of its existence and interaction. We are also beautiful mathematical program which interacts constantly with the world and with different objects. However we are also above the predetermined program of interaction, we are the free will which sets the program for interaction.
Our ability to see and understand different objects as codes and as the force which is responsible to choose how this codes are working, is giving us the freedom to choose what to endure and what to create consciously.
In the teachings of kathara and tan-tri-ahura are explained thoroughly the functional purpose of different codes and their ability to influence positively and interact very deeply with our subconsciousness, biology and to activate our dormant spiritual potentials.[1]
There are many types of codes. Here will be briefly presented the code-images. Some of them are used to transfer energy from one place to the other (eckasha, star tetrahedron hierophant), others represent a map of spiritual anatomy(rashatan, cosmaya, cosminyas, catheion codes) and third group are pillars of energy which surrounds us after their activation and help us to connect with energies from plane with higher frequencies(Eleisa).
In kathara is also explained that the codes are living beings with a developed consciousness and it is wise to be regarded as such. The common observation of a code is a form of communication with them and they are “observing” us as well, they communicate with our subconscious mind and are seeing us as other codes. For example, the respectful attitude towards a painting and its frequency charging with positive thoughts will influence the energy that this painting is emanating and will make it more affable and it will influence the people more harmoniously.
In order to be activated certain code, it is necessary that it is handled in a precise manner for the code and to be placed in an exact location in the body, in Earth or in outer space.
Despite every codes specifics, there are common way of dealing with all codes and a technique that can be used to all of them. This technique is called “optical pineal induction”, which means visualization of the code and breathing of the image through the third eye(sixth chakra).[2] In this way, we are inducing in our bio-field a mathematical program of the specific code and from now on we can interrelate with it inside our bio-fields.
Before using optical pineal induction of certain code, it is wise to activate kristic protection in our bio-fields. Next it is necessary to know where to place the image of the code inside our body and what to do with it, in order to have effective activation and communication with the code.
Many of the code-images are activated with the pronunciation of concrete tones. [3]
When we know which sound tone corresponds to certain code and the way it is pronounced, then we can induce the program of the code.
Beside harmonic codes which bring positive activation in our body and our spiritual gifts, there are also dis-harmonic codes with negative influence that circulate around us and are affecting destructively to our spiritual evolution and freedom to be creative. Such dis-harmonic code-images are often placed in the background of a movie, book, picture, commercial or other carrier of the image. This code is created with the intention to through a destructive program and to activate blockages instead of potentials inside us.
Often harmonic and dis-harmonic codes are created inadvertently from the creator who is “inspired” to express them. In kathara and tan-tri-ahura are explained techniques for a person to protect himself/herself from unwanted incoming of dis-harmonic codes and proper induction of harmonic ones. [4]
The recommended starting techniques are with the highest level of protection(plasma) and consequently with the highest level of activation.[5]
Below you can see the image of the sacred Rashatan code which was introduced from E’Asha Ashayana and is a gift from the Guardian Alliance.[6]
The code corresponds with the structures of the spirit body which is called Allumeridana. The code holds the programs of the 144 chemical elements. It is activated with gazing, visualization and rapid breathing through the third eye. After that the visualized image of the code is located inside the head. The second step is to send the image through rapid exhale inside the core of the Earth. The third step is to breath back the image of the code and place it in the chest(4th chakra) with the intention that the person loves other and wishes to be attached to the kristal spiral.
The knowledge of the codes and their function gives us the freedom to choose how to interact with the world and with ourselves. This information helps us to look from higher perspective of paintings and other artistic work, commercial and cinematographic industries, to understand deeper the architecture of monuments and to have an insight of the meaning of the mandalas in Tibetan Buddhism as something more than pretty pictures.
© Aleksandar Slavkov Milanov, 2014
[1] See more E’Asha Ashayana, Kathara bio-spiritual healing system manual, level 1, 2000
[2] See moreE’Asha Ashayana, Keys for mastering ascension – The veca consciousness codes, 2005, p.10
[3] See moreE’Asha Ashayana, Engaging the God languages, 2005, pp.22-30
[4] http://www.arhayas.com/pages/techniques; E’Asha Ashayana, Ascension mechanics”, projectcamelot productions on youtube, 2010 disk 1;
[5] http://www.arhayas.com/pages/techniques
[6] See more E’Asha Ashayana, Ascension mechanics”, projectcamelot productions on youtube, 2010 disk 1;
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